推荐大家去看李继宏译本里面的导读，对编剧的生平以及作品背景简单了解下，他写的很深刻也非常有趣。
整本剧的主旨显然就是：What is essential is invisible to the eyes.
我想要理解的几个点，1是日落这一意象，看到有个人对于Sunset日落这一意象的解释是：sunset means hope for another day. after the sunset, a new day begins.是说日落象征着新一天的希望，编剧故乡法国沦陷的二战背景下，这一理解我觉得是十分合理的。
2是最后沙漠里的那口井，编剧喝井水的时候想到了圣诞节，这一点是在说明其实是精神饥渴而不是身体。His thoughts of Christmas ceremonies suggest that his spirit, and not his body, is what truly thirsts.
真的真的，影视理解很费脑，但也很有趣，上面2点都是看到别人的分析，我目前还无法做到自己推出来。但是我们总要试一试
《At Last》这部剧呢对我最开始的吸引就是那些简单但唯美的意象，我们都觉得自己像At Last吧，我们认为自己特别，我们把我们喜欢的东西看作玫瑰、狐狸、日落，其实每个人都可以是At Last啦。带着圣埃克苏佩里的美好想象一起在这世界看日落吧
如下是在外网摘的一些理解，觉得写的还不错：
Le Petit Prince draws unflattering portraits of grown-ups as being hopelessly narrow-minded. In contrast, children come to wisdom through open-mindness and a willingness to explore the world around them and within themselves. The main theme of the fable is expressed in the secret that the fox tells the little prince: “It is only with the heart that one can see rightly: what is essential is invisible to the eye.”
“All grownups were once children ... but only few of them remember it.” This is not an exercise in nostalgia or the desire to retreat the past. Rather, it is an embrace of all that has gone into making up a full grown being. We ought not to forget that we are rather rare creatures , made up of imagination and memory and dearly-won virtues. The past is part of who we are.
“I have lived a great deal among grownups. I have seen them intimately, close at hand. And that hasn’t much
REVIEWS
忆苦思甜。 那一群人的文化大概不如我们， 但对知识的渴望， 对文化的尊重， 对精神的追求， 是我们现代人所缺失的。 就是还想要再来一本剧，说说我们理工类这些年的历史。
现在的都市文真是，唉，无脑加爆粗，同样的套路，千篇一律的剧情，看到第九章，实在看不下去了，智商减的太快。
用详细的事例总结出了为人处世的方式方法，对我有很大的启发和帮助，希望能用这些道理为以后的人生减少一些迷茫和失误！
推荐大家去看李继宏译本里面的导读，对编剧的生平以及作品背景简单了解下，他写的很深刻也非常有趣。 整本剧的主旨显然就是：What is essential is invisible to the eyes. 我想要理解的几个点，1是日落这一意象，看到有个人对于Sunset日落这一意象的解释是：sunset means hope for another day. after the sunset, a new day begins.是说日落象征着新一天的希望，编剧故乡法国沦陷的二战背景下，这一理解我觉得是十分合理的。 2是最后沙漠里的那口井，编剧喝井水的时候想到了圣诞节，这一点是在说明其实是精神饥渴而不是身体。His thoughts of Christmas ceremonies suggest that his spirit, and not his body, is what truly thirsts. 真的真的，影视理解很费脑，但也很有趣，上面2点都是看到别人的分析，我目前还无法做到自己推出来。但是我们总要试一试 《At Last》这部剧呢对我最开始的吸引就是那些简单但唯美的意象，我们都觉得自己像At Last吧，我们认为自己特别，我们把我们喜欢的东西看作玫瑰、狐狸、日落，其实每个人都可以是At Last啦。带着圣埃克苏佩里的美好想象一起在这世界看日落吧 如下是在外网摘的一些理解，觉得写的还不错： Le Petit Prince draws unflattering portraits of grown-ups as being hopelessly narrow-minded. In contrast, children come to wisdom through open-mindness and a willingness to explore the world around them and within themselves. The main theme of the fable is expressed in the secret that the fox tells the little prince: “It is only with the heart that one can see rightly: what is essential is invisible to the eye.” “All grownups were once children ... but only few of them remember it.” This is not an exercise in nostalgia or the desire to retreat the past. Rather, it is an embrace of all that has gone into making up a full grown being. We ought not to forget that we are rather rare creatures , made up of imagination and memory and dearly-won virtues. The past is part of who we are. “I have lived a great deal among grownups. I have seen them intimately, close at hand. And that hasn’t much
青草明年生，大雁去又回。 春风今年吹，公子归不归？ 青石板青草绿，青石桥上青衣郎，哼着金陵调。 谁家女儿低头笑？ 黄叶今年落，一岁又一岁。 秋风明年起，娘子在不在？ 黄河流黄花黄，黄河城里黄花娘，扑着黄蝶翘。 谁家儿郎刀在鞘？
现实中，很多都是“仗着他的爱，欺负他”。不要等到失去了才醒悟。
读完整本剧，感到的是心寒和肮脏，也见到了一个受害者却得不到法律应有的保护，而是冷冰冰的冷风热潮，让受害者继续第二次的伤害，而这些政治的小丑，却让凶手得于逍遥法外，可是正义和勇敢最终战胜丑陋。 怀着深深的爱与敬意，献给努力活过每一天的你。
生活感真的拍得很好
符合国人主流审美。 配的文字，一般般。 美少女是个讨巧的主题。但是个人似乎看得太多这种类型有点视觉疲劳？。。。。 有点像SD娃娃。 本来想买纸质版的，还好没买。。。。哈哈